Work that has already gone home.

End grain board — walnut arches framed in maple and purpleheart.

Walnut river board — deep red resin with gold leaf.

Live edge river board with stone set into the pour.

Segmented walnut board with the Masterworks crest in the corner.

Electric blue river board with a cut handle.

Twin river board — sky blue and sage green through cherry.

Paddle board with a charcoal metallic inlay.

Multi-species board — walnut field with maple and purpleheart.

Edge grain walnut with a darkened, framed border.

Cherry serving board, branded by hand.

Live edge river board — a mica-tinted pour with creek stone set through it.

The same board, from the other side — milky blue mica over stone.

A stack of boards coming off the bench, oiled and stacked.

Segmented board — walnut, purpleheart, cherry and maple, with a routed juice groove.

Cherry and bloodwood stripe board with a juice groove run just inside the edge.

Cherry and bloodwood, juice groove and a cut handle, marked in the corner.

A stripe board with its serving utensils, cut from the same stock.

End grain checkerboard in maple and walnut, engraved to order.

Electric blue river board, the handle cut through the pour.

Cocktail smoker lid — charred oak, the crest carved through to the pale wood.

Cocktail smoker lid — a rope spiral carved through the char around the screen.

Cocktail smoker lid — Celtic knot carved through the char around the screen.

Cocktail smoker lid — geometric mandala carved through the char around the screen.

A multi-species board laid out with a knife and dinner in the making.

A bowl of rings — the whole range in one place.

A mica-green inlay in a dark band, shot on marble.

Blue-green mica set in a line around the band.

A band split by a pearlescent blue-grey inlay.

Moss green resin poured diagonally through the band.

Wood and dark resin, the pour following a natural rift in the grain.

A dark metallic inlay cutting across the grain.

A deep red band with a pale pearl inlay.

A solid wood band — nothing but grain.

Live edge river board with creek stone set through the turquoise pour, hung by twine at the market.

Purple mica river between a dark walnut slab and a burled maple edge.

Two boards off the bench — live edge walnut, and a cherry serving board with a cut handle.

Multi-species board — walnut and cherry framed in purpleheart and bloodwood, juice groove inside the border.

End grain boards stacked, the strip patterns reading along the edges.

A stripe board in walnut, maple and cherry, signed in the corner.

A board on the bench, the recess routed and ready for sanding.

A stack of about twenty, straight off the mandrel — wood, resin and everything between.

Twelve in the display box at a show, with the card that sits beside them.

The ring rack at a show, with engraved coasters on the table alongside.

Mountain ranges burned around the band — purpleheart, walnut, and a pair with lines run right round.

The day's stock laid out on a river board.

Blanks off the lathe, waiting on the block.

Five tiers of rings, the mandrel resting on the top shelf.

Solid bands and resin rivers, side by side on the rack.

Twelve on the mandrel — pale maple at the top, near-black walnut at the base.

Thirteen more, including a stabilized green burl and one band with a green stripe set in.